The Mandala Herr Roth hat Frau Weiss geheiratet ("Mr. Red has married Mrs. White") was painted while I was in a very deep life crisis in 1974. It is composed of 9 x 11 (!) red and 9 x 11 white elements plus the empty center. For me it is a symbol of the union of the opposites and of the unus mundus (Carl Jung) or of the unified psychophysical reality (Wolfgang Pauli) out of which a new creation is born. I was very shocked when I realized that it contains the symbolism of 9/11...! In my interpretation it symbolizes a positive compensation to that event.

Remo F. Roth

Dr. oec. publ., Ph.D.

dipl. analyt. Psychologe (M.-L. v. Franz)


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With many thanks to Gregory Sova, Ph.D. and Patricia Sova (Weeds, CA, USA) for translation assistance


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The Archetype of the Holy Wedding

 in Alchemy and in the Unconscious of Modern Man

(Part 29)


back to part 26

5. The hidden god (deus absconditus) versus Carl Jung’s quaternity

 

5.3 The Hermetic world view -- The deus absconditus and the singular acausal quantum leap

 5.3.1 The Holy Wedding and the deus absconditus as the phallus of the Hermetic alchemical queen

The reconstruction of the historical facts concerning the life of Carl Jung between his 20th and 32nd years of life and their depth psychological interpretation allow us to obtain an initial overview of some general aspects of the archetype of the deus absconditus (the hidden god) in relation to the process of the Holy Wedding constellated in the young psychiatrist.

In Chapter 4 we have seen that a special aspect of the archetype of the Holy Wedding consists first in the sickness of the old king, who dissolves, dies and as a result of this process enters the womb of the queen. There his sperm becomes the seeds for new life, for the rejuvenated and reborn king.

In the moment the king enters the womb of the queen and dissolves, she contains the sperm for the new life. According to the depth psychological condensation principle, we can in a symbolic language also state that the vagina or the uterus of the queen contains now the king’s phallus. Looking at the vagina not only as the life giving principle but also as the all-swallowing “death mother”, it is obvious that the motif of the phallus in the vagina corresponds to the main motif of Carl Jung’s childhood dream, the phallus in the grave. We can therefore conclude that it was especially the Hermetic alchemical archetype of the Holy Wedding, which was constellated in him. Further, we realize that the male organ of Carl Jung’s dream corresponds to the deus absconditus. This means that it is the phallus of the queen and not of a man that becomes now the fertilizing organ, the instrument out of which the new creation and incarnation is procreated.

As we remember, Marie-Louise von Franz compared the motif of the dream with the mythological grave phallus. Since the latter symbolized the afterlife and the resurrection of the dead, we realize that the symbol of the deus absconditus is connected to the deceased and their eventual resurrection. Thus, the question arises if we should imagine this resurrection as a reincarnation.

A creation myth is always a religious myth. The essence of the Holy Wedding, of the Hermetic alchemical creation myth, is thus a religious as well as a sexual and a death myth. In this way the religious idea of creation and incarnation comes together with the sexual and the death drive, and we begin to anticipate therefore the deepest reason why in Carl Jung’s association test of 1907 the death complex, the sexuality and the religion complex are so deeply related.

At this point a brief review of Chapter 2 will be helpful. When we first talked of the archetype of the Holy Wedding, we saw that it was the old Jung who wrote in his book AION that our task is to look beyond the concretistic interpretation of sexuality by Sigmund Freud and that we have to find the “procreative nature of the Whole in the procreative seed”. I mentioned that Carl Jung already realized that the Gnostics were convinced that this myth did not mean just the biological sexuality, and that they knew yet the deep truth that “man’s procreative power is only a special instance of the ‘procreative nature of the Whole’.” 

[See picture on the left: "A bowl of the Orphic community. On it sixteen naked men and women, in reverential and worshipping attitudes, stand around a coiled and winged serpent, the symbol of the Redeemer and Son of God in the Orphic Gnosis." (Emma Jung & M.-L. von Franz: The Grail Legend, p. 136 & p. 192)]

I guess it is not an exaggeration when I state here that we are now one great step ahead in the understanding of what the general instance, the “procreative nature of the Whole” could be. It is the deus absconditus, the first product of the Holy Wedding, of the (second) coniunctio or unio corporalis, the phallus in the vagina of the queen. Again the question arises if the deus absconditus, the “procreative nature of the Whole” demonstrated as the religious myth of sexual intercourse, death and rebirth could have to do with reincarnation.

The very specific aspect of this creation myth is the fact that the result of it is a creation out of itself, or better: out of her/himself, out of the queen containing the propagation organ of the king in her womb. It is the Yoni/Lingam motif [picture on the right], but also the aspect of (the hermaphroditic) Atum in ancient Egypt, who created the world out of himself alone by masturbating. It is however not the creation out of the purely masculine Logos of the Christian God. Thus, it is an absolutely shocking insight that in Carl Jung, who “had had a strict Christian upbringing”, such a completely pagan and thus incredibly heretic myth is constellated.

 

 

5.3.2 The deus absconditus in a modern interpretation: The singular acausal quantum leap

As I have briefly mentioned in Chapter 4[1], we can translate the process happening during the unio corporalis, the second phase of Gerardus Dorneus’ opus, into the following twin process, which formulates the energetics in a neutral language:

{spirit-psyche > matter-psyche with potentially increased negentropy}

and

{matter-psyche with potentially increased negentropy > spirit-psyche with incarnated increased negentropy}

The first process corresponds to the mythological motif of the dying king, dissolving in the womb of the goddess and becoming like this the phallus in the goddess’ womb. In a modern language we can therefore state that the deus absconditus corresponds to the subject that contains the “energy” of the unus mundus, the matter-psyche with potentially increased negentropy.

In the language of Robert Fludd in which Wolfgang Pauli was so intensely interested, the deus absconditus becomes the intermediate realm, the subtle realm between heaven and earth. This realm is also represented as the first goal of the unio corporalis, the lapis (the stone), the Seal of Solomon, the lily, the Radbild (the wheel image) of Nicholas von Flue, the rotundum (the round thing) and the philosophical gold.

It is thus this potential world quantum physics describes with the help of the wave function, which corresponds to the deus absconditus. It is the unus mundus of Dorneus/Carl Jung, the psychophysical reality of Wolfgang Pauli, and/or their energetic principle, the world soul in her wider sense[2]. The deus absconditus thus turns out to be a dea abscondita (the hidden goddess) containing the deus absconditus (the hidden god), which is of course the central motif of the Holy Wedding or the unio corporalis.

Expressed in the symbolism of the Seal of Solomon the pair deus absconditus / dea abscondita is, as we have seen, the necessary structure of the twin process, since symbolically seen #3 means “energy”. Therefore, a bipolar energy term, abstractly symbolized by 2 x 3, is the indispensable precondition for an energetic double transformation as described above.

The second process, the incarnation of the spirit-psyche containing higher negentropy, corresponds of course to the second goal of the Holy Wedding: The extraction of the red tincture or the birth of the infans solaris out of the lapis, the creation of the quintessence out of the Seal of Solomon or of the lily, the relation with the renewed God-image, the subtle body or the world soul, behind the Radbild, the rotatio of the rotundum, and finally the gilding of the surrounding or even of the whole universe by the philosophical gold.

As we have further seen, the above twin process happens with the help of singular acausal quantum leaps. As long as such quantum leaps are however not consciously observed by the Eros consciousness, they remain in a potential state. We can compare this state with a charged electrical condenser. The difference consists however in the circumstance that such a condenser discharges acausally, according to the principle of creatio continua. As I have described in another place[3] because of man’s unconscious projection of this inner process into the outer world he is instead preoccupied with the production of physical beta radioactivity (atomic bombs and power plants). Since this process happens however on a psychophysical level, the condensor is more and more charged. Therefore, the ignored psychophysical condenser is today in such a highly charged state that the world soul forces certain humans into the state of the Eros ego, in which they observe these incarnations, the psychophysical “beta radioactivity”, the UFOs and “Ets.”

We know today that especially the UFO abduction phenomenology is stamped by the motif of the procreation and the birth of hybrid beings, a crossbred between humans and aliens. Could these visions of the abductees experienced intensely corporeally, be a hint for the circumstance that the today constellated myth of the deus absconditus could lead to a real reincarnation of such hybrid beings into our world? Could thus such crossbreeds be the product of the “procreative nature of the Whole,” of the deeper, psychophysical aspect of human sexuality?

[proofread GJS, 04/18/06]

part 30



[1] A more comprehensive discussion of the subject see in Chapter 6

[2] see section 4.7.1.3


 

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18.4.2006

The Mandala Herr Roth hat Frau Weiss geheiratet ("Mr. Red has married Mrs. White") was painted while I was in a very deep life crisis in 1974. It is composed of 9 x 11 (!) red and 9 x 11 white elements plus the empty center. For me it is a symbol of the union of the opposites and of the unus mundus (Carl Jung) or of the unified psychophysical reality (Wolfgang Pauli) out of which a new creation is born. I was very shocked when I realized that it contains the symbolism of 9/11...! In my interpretation it symbolizes a positive compensation to that event.