4.6 The overcoming of Carl Jung’s Neoplatonic
interpretation of the unio
corporalis: The Hermetic matter-psyche as the shadow of
the Logos Self
We
are now able to compare the unio
corporalis, the second phase of Gerardus Dorneus' opus,
with the procedure I propose. We have seen
that Carl Jung begins with the interpretation of the first
phase and translates the unio
mentalis into a modern language as his Active Imagination
serving the integration of the shadow. I have then worked out
the fact that the depth psychologist is not consistent in his
interpretation of the second phase of Dorneus’ opus, since
he vacillates between four different and partly contradicting
translations of the meaning of the alchemical unio
corporalis into a language of today. First we are amazed
that also the second phase serves the shadow’s
integration (CW 14), this time however with the
goal of the creation of some sort of a (Neoplatonic)
subtle body, the
“subtlety” of the quaternarian consciousness (CW
16). Besides, a further goal is the sacrificium
intellectus (CW 16). As Carl Jung’s essay
deals with the problem of the transference and counter-transference,
it is obvious that he is also thinking of the unio corporalis as the symbolic solution to that problem. Thus we
are a bit lost having four different interpretations.
The
riddle Carl Jung has bequeathed to us is solved, when we
postulate that the unio
corporalis shown in the 8th picture of the
Rosarium and the coniunctio
archetype in general deal with the
shadow of the Self, some sort of a “dark
psyche”. As I mentioned above, I call this shadow the Eros
Self. It is deeper than the Logos Self the latter being
collective spirit-psyche, since the Eros Self belongs to the
psychophysical background of the inner spirit-psyche as well
as of the outer. Of course such a postulate is as vague and
problematic as Jung’s four different interpretations, as
long as I cannot describe the Eros Self empirically. It will
therefore be one of the most important tasks of the following
chapters to show that this
shadow of the Logos Self – alchemically spoken, the dew –
, is in the macrocosmic case what I call the matter-psyche, in
the microcosmic the body-psyche or the body-soul, the subtle
body. The former is equal to the world soul,
the anima mundi, the
latter to an “inner aspect” of bodily matter,
experienciable as introverted bodily sensations. Both are
however only observable by what I call the Eros consciousness,
which is itself some sort of a “shadow ego”.
If
the reader accepts – for the time being as a hypothetical
statement derived from my modern interpretation of the age-old
Axiom of Maria Prophetissa – this matter-psyche or subtle
body postulate, they can immediately see in the following
comments that the four interpretations of the unio corporalis by the depth psychologist - the inclusion of the
subtle body, the integration
of the shadow, the task of the sacrificium
intellectus and the solution of the problem of
the transference and counter-transference
– unify:
The
first aspect of my hypothesis is that it is indeed the unio mentalis, i.e., Active Imagination, that serves the
differentiation of the consciousness and the integration of
the personal shadow, however the unio
corporalis consists in the integration (or creation) of
the subtle
body in the Hermetic meaning.
Like this the term “subtle body” is extended to its
original alchemical double meaning of the “twofold sublimation”
and thus does not only mean
Carl Jung’s Neoplatonic spiritual subtlety, but also a real,
empirically observable “inner aspect” of the body and of
matter, symbolically equivalent with the term quintessence.
The Hermetic alchemical myth speaks thus in a symbolic
language of the introverted observation of the creation of the
matter-psyche in oneself.
The
matter-psyche is not contained in the Logos Self, i.e., in the
collective spirit-psyche. We can therefore define
matter-psyche as the shadow
of the Logos Self. Thus, the looked-for procedure,
Body-Centered Imagination, is a modern version of the unio
corporalis that deals with the integration – better:
with the observation of the creation – of the shadow of Carl
Jung’s Logos Self, the Eros Self.
Since
the matter-psyche is a shadow aspect of the Logos Self it is
however not observable by the Logos ego, i.e., by the
conscious spirit-psyche. So to speak: The “bright light”
of the Logos Self obscures the whole and produces like this
the “shadow Self”
or Eros Self. Thus, since the Eros Self is in the shadow of
the Logos Self, the former is necessarily repressed by the
Logos ego, and the looked for relationship with the Eros Self
essentially needs a sacrificium
intellectus, i.e., a conscious repression of
thinking during the Body-Centered Imagination. This is why I
define the Eros ego, i.e., a complementary consciousness to
the Logos ego, consisting in introverted feeling, sensation
and intuition and repressing thinking during the procedure.
As
we have seen, Carl Jung’s interpretations of the unio corporalis as the development of the “spiritual subtlety”
of the fourfold consciousness on the one hand and on the other
as the sacrificium
intellectus contradict each other. This is especially true
for a feeling type, who should of course develop the thinking
function with the help of Active Imagination, and not
sacrifice it. If we relate however the development of the four
functions to the first, Neoplatonic phase and the sacrificium
intellectus to the second, the Hermetic, this
contradiction is eliminated: During the second phase Active
Imagination should be replaced by Body-Centered Imagination,
in which the sacrificium
intellectus is indeed absolutely necessary. Like this, the
two phases of Dorneus’ opus obtain different meanings: The
modern form of the unio
mentalis, Active Imagination, is reserved for the
differentiation of the consciousness and the integration of
the personal shadow, Body-Centered Imagination, however,
becomes the method for the modern unio
corporalis, the relationship of the Eros ego with the Eros
Self and the observation of the creation of the subtle body.
Further,
since the creation of the subtle body happens during the unio corporalis, which is itself the vegetative psychophysical
process behind the human sexuality and thus behind the transference/counter-transference
problem, a modern interpretation of the unio
corporalis, i.e., of the introverted
observation of the birth of the Holy Wedding’s child out of
the intermediary realm of the unus
mundus, the birth of the infans
solaris, of the red tincture or of the quintessence, can
also lead into the solution of this deepest problem of the
battle of the sexes.
Besides
the above mentioned empirical description of the matter-psyche
and the body-psyche, my task will therefore further be to
describe such an introverted observational procedure
theoretically as well as empirically, the former on the
background of quantum physical principles, the latter with the
help of my experience as a psychophysical therapist and
healer. We can however already conclude that this method, the
Body-Centered Imagination, is, like the Hermetic alchemical
myth beginning with picture # 8 of the Rosarium, a deeply introverted vegetative
procedure, in which the ego is, in contrast to Active
Imagination, very passive. It is on the one hand based on the
vegetative nervous system, on the other on a transformation of
the instinctive energy in the human sexual drive on the
background of the Gnostic idea that “man’s
procreative power is a special instance of the ‘procreative
nature of the Whole’.”
It is obvious that the above interpretation of the Hermetic
aspect of the unio corporalis or the Holy Wedding is of a great value, since it
shows us that the task does not consist in an analytical
procedure, but in the observation of synthetic processes
expressing a coniunctio, symbolically
represented in the Hermetic alchemical myth as the reunion of
the divine figures, of the god and the goddess.
Of
course this problem – the battle of the sexes – is not
only constellated in the psychoanalytical setting, but in the
relationship between man and woman in general. Thus, a modern
Hermetic opus consists to a great extent in the task of the
relocation of the process into one’s own body and soul and
the withdrawal of such projections onto concrete women. The
latter happens however mostly not in psychoanalysis and
psychotherapy, but fatefully in life[6].