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Remo F. Roth
Dr. oec. publ., Ph.D.
dipl. analyt. Psychologe (M.-L. v. Franz)
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© copyright 1996
by Remo F. Roth, Zugerroseweg 5, CH-8810
Horgen-Zürich
Translation
by Boris Matthews, 8320 W. Blue Mound Road, Wauwatosa, WI
Chapter 4 of Synchronicity
Quest
4.1 Paracelsus's
Antitrinity of Drives
4.2 Exploration and
Meditation: Liberating the God-Man from the Realm of the
Drives
4.3 The
Transformation of Aggression
4.4 The
Transformation of Sexuality
4.5 The Union of
Logos and Eros in the Hermaphroditic God-Man
4.6 Active
Imagination and the alchemical Pelican
4. PARACELSUS
AND THE RENEWED IMAGE OF GOD
4.1 Paracelsus's Antitrinity of Drives
The first three chapters have
confronted us with the fact that, due to their archetypal nature, the
number three and hence the triad or the trinity must always and
everywhere also represent an ambivalent duality when we consider
their qualitative aspect. As a necessary consequence of this
pre-conscious1 fact, a principle in opposition to the
Trinity had to arise over time in the course of Christian
development.
We have also seen that this
countervailing principle had made its appearance among the
early-Christian Gnostics. In opposition to the purely masculine
aspect of the Christian God they posited a divine feminine principle,
the locus of which many of them, moreover, suspected lay in the human
body or in matter itself. But since this principle was itself not yet
differentiated into a trinity, the original Gnostic idea of a
Father-Mother-Deity could develop no further. As a consequence of
remaining a unity, it continued to be undiscernible, and we have seen
that the necessary condition for unity to be discerned and
individually experienced is that it (unity) be differentiated into a
trinity: The Other must split off from the undiscernible One, while
the Third resolves this tension of opposites permitting the One (or
the Unitary) to become discernible. This development from unity to
trinity would have been the necessary precondition for a further
development of the feminine aspect of the image of God in Gnosticism,
too. But this was precisely the step that this early Christian heresy
could not take.
We find the first, albeit
unconscious, solution of the problem of the ambivalent duality of the
Trinity in the fantasy productions of a later heretical current
running counter to official Christianity, in alchemy, above all in
the work of the physician Paracelsus (1493-1541) and his students,
that is, since the last third of the 16th Century2. From
that time on, the fantasy is wide-spread3.
Since the Christian definition of
the Trinity was incomplete because the ambivalent duality of spirit
and matter had not been taken into account, God's fall into matter
took place in the alchemists themselves, as we discussed in the
previous chapter. Thus they rediscovered the Gnostic principle of the
feminine side of God in their concept of the prima materia which
constituted the starting point of their opus and which, according to
their particular point of view, was concealed in matter or in the
human body (cf. figure 4.1).

The central idea of the alchemical
opus is that the prima materia -- contaminated and concealed in the
human body or in matter round about us -- must be purified and a
spirit must subsequently be liberated from it. Since this prima
materia possesses not only a divine quality but was even thought to
be co-eternal with the Christian God4, the opus likewise
signifies the liberation of a feminine Divine Spirit of stature equal
to that of the male Deity from matter or from the realm of human drives. By redeeming it from this
captivity, the feminine aspect of God, moreover, is united with God's male
aspect.
Of course this idea is extremely
heretical, for ultimately it means that in the course of the opus a
light - i.e., "illumination" and knowledge - can be freed from the
prima materia and joined to the upper image of God which, in turn,
transforms the original God image. In this dynamic process which,
moreover, embraces the human being, a transformation takes place in
the upper image of God, which the church fathers ultimately defined
in a long drawn-out process as a static, "supra-human," principle
whose characteristics were assumed to be pre-established once and for
all.
Fundamentally, therefore, the
medieval alchemical opus consists in this: the human being
consciously replicates in him- or herself the transformation of the
God image that has already taken place in the unconscious. Since a
further essential goal of the opus is the creation of the medicina
catholica, the all-healing medicine, the healing of physical and
psychic suffering is obviously to take place via a transformation of
the image of God in every individual human being, a
revolutionary and, from our contemporary standpoint, very modern
point of view. This, as we know, lies at the root of the deeper
aspects of what C.G. Jung called the process of individuation. We
recall that the ancient Gnostics already held similar views. They,
too, believed that by a revelation of the "Mother," which in
principle every human being can experience, new knowledge of the
upper Father Deity would be set free.
While most alchemists, as did the
Gnostics, saw this prima materia as a unity, we can observe in
Paracelsus the development of an Antitrinity opposed to the Christian
Trinity. Here lies the extraordinarily valuable accomplishment of the
Swiss alchemist and physician, in my opinion. As we will see in
Chapter 6, this process of the unconscious transformation of the God
image was repeated in the sixth decade of our waning 20th Century in
elementary particle and quantum physics: in 1964 Murray Gell-Mann
postulated his simplest quark model in which the "trinity" of the
three quarks, up, down, and strange (matter), were opposed by an anti-up,
anti-down, and anti-strange trinity (anti-matter).
How this process of differentiating
a double-trinitarian image of God and the transformation of the God
image thus initiated came to pass can best be ascertained from one of
Paracelsus's major works, De Vita Longa ("The Book of Long Life").
Hence I will attempt a review of this difficult book. Essentially, my
explication is a summary, organization, and further interpretation of
C.G. Jung's commentary on the Vita Longa5.
As an intuitive type, Paracelsus
again and again invents new concepts for the same or similar facts.
In the Vita Longa, therefore, we find a confusing number of synonyms.
But in my opinion this inflation of neologisms is also due to the
circumstance that he was able only to describe the processes he
discovered in mythologizing terms, but not yet consciously to
understand the underlying psychological principles at work. Only
Jung's extensive work has created the necessary basis that enables us
to translate the processes described by the alchemical master into
depth psychological knowledge. Hence the primary content of my
remarks consists in describing the opus suggested by Paracelsus in
the empirical terminology of depth psychology developed by C.G.
Jung.
For Paracelsus, the prima materia
consists first of all in an opposition of the One and the Other.
Paracelsus calls the one principle the Iliaster, and the other the
Aquaster. The Ilaster is a fiery, active, and masculine principle;
the Aquaster a watery, passive, and feminine principle. In each human
being both principles are simultaneously at work, a fact which
reminds us immediately of the way the vegetative nervous system
functions.
Paracelsus also calls the Iliaster
Ares. Hence it corresponds to Mars, the god of war. We could equate
the principle that makes Mars effective with what psychology calls
the aggression drive. Paracelsus associates the Aquaster with
Aphrodite-Venus, the goddess of love. Here, of course, we immediately
think of the second fundamental human drive, the sexual
drive.
However, Iliaster and Aquaster are
also the fundamental principles of the entire cosmos; that is, they
represent principles of a trans-human totality. For aspects of the
psyche that embrace all of humankind, C.G. Jung introduced the term
"the collective unconscious." Hence Ilaster and Aquaster are the
structural dominants of the collective unconscious; they are
archetypal principles. Since these principles extend down into inert
matter, Paracelsus, in a stroke of genius, equated them with two
inorganic substances. He calls Iliaster Sulphur, and Aquaster, Sal.
Sulfur, the fiery principle par excellence, and salt, which always
has the tendency to dissolve in water and hence belongs to the watery
principle, constitute the two basic elements of the prima
materia.
Summarized, these principles yield
the following organization:
The fiery, active
principle of the prima materia:
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The watery, passive
principleof the prima materia:
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Iliaster
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Aquaster
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Ares-Mars
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Aphrodite-Venus
(Melusine)
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Sulphur
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Sal
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aggression
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sexuality
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This yields two principles: a
duality corresponding to that between the One and the Other which I
discussed in Chapter 2 in the context of Jung's interpretation of the
natural number two. We are immediately reminded of Freud's two basic
principles, Eros and Thanatos.
At the beginning of the alchemical
opus these two principles, Iliaster and Aquaster, are conflated and
initially form an undifferentiated unity in the prima materia opposed
to the Christian Trinity. The alchemists attribute human
characteristics to the prima materia, and therefore imagine it as an
hermaphrodite or androgyne, a double-sexed human creature, a
monstrous man-woman. Hence the hermaphrodite corresponds to that very
ancient idea of a human that existed before the creation of human
beings, the so-called protanthropos. According to certain Gnostic
ideas, God created the first human being from this larger,
prehistoric, hermaphroditic humanoid being.
prima
materia
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iliastric
Aquaster
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melusinian
Ares-Mars
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Hermaphrodite
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Androgyne
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conflation of
aggression and sexuality
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I am aware that the views just
expressed must greatly shock a pious Christian. The heretical idea
that God got immersed in matter and thereby deified matter might
perhaps still be acceptable to an open-minded Christian. These sorts
of tendencies are also very popular in the contemporary esoteric
subculture. But the idea that God is supposed to become a bisexual
being with human attributes -- that is, with male and female
genitals6 -- has to be much more shocking. Yet the marked
increase in bisexuality in the nineties of this century7
does show, in my opinion, that the archetype of God's fall into
matter and His reappearance in the prima materia of the hermaphrodite
has already asserted itself unconsciously. Therefore the androgyne
idea, concretely lived out today, constitutes the modern form of the
primary or original substance (prima materia) to be worked on in the modern
alchemical opus.
This "lower" and drive-laden aspect
of the Divine that, for the time being, remains caught in an
undifferentiated unity -- this prima materia that is to be
transformed -- is what Paracelsus also calls the melusinian Ares-Mars. Here Melusine replaces Aphrodite-Venus. This figure from
Old French literature, who probably goes back to Celtic roots, is a
water nymph with a fish's or snake's tale, a half human, half animal being. Here we now see that a shift has taken place in Paracelsus's
unconscious from the human-form of Venus to a part human, part animal
hybrid. This clearly demonstrates that Paracelsus's opus is in fact
supposed to commence in the realm of drives, and that the prima materia, the starting point for this
procedure, corresponds to human
instincts (cf. figure 4.2).

But this displacement to Melusine
is important for another reason: In the Old French saga, this figure
always appears in borderline situations, specifically when the hero
finds himself in one of life's blind alleys and his entire life plan
has collapsed8. Jung continues:
"When such a catastrophe occurs,
not only are all bridges back into the past broken, but there seems
to be no way forward into the future. One is confronted with a
hopeless and impenetrable darkness, an abysmal void that is now
suddenly filled with an alluring vision, the palpably real presence
of a strange yet helpful being . . . . The figure of Melusine is
eminently suited to this purpose."9
It has been fifteen years since my
first draft of these thoughts on Paracelsus in 1981. In the course of
these years, fate has led me to the problem of HIV positive patients
and the AIDS syndrome. Psychotherapy and analysis with HIV- and
AIDS-patients has shown me that in those persons who are diagnosed as
HIV-positive, who from that moment on find themselves in the
supposedly hopeless life situation described above, this very same
Melusine is constellated. When these persons learn to address the
inner world of visions that proceed primarily from the realm of the
drives (from Melusine's domain!), it has been my experience so far
that there is a good chance that the illnesses of the AIDS syndrome
will not break out in them. Since I am convinced that the HIV
phenomenon constitutes the beginning of the apocalyptic last days of
the Christian eon, it seemed to me timely to present my preliminary
results in my book, Hat AIDS einen Sinn?10.
[Remark of August, 2003: The term
"apocalypse" is meant symbolically, and not in the
Christian meaning, and especially not in the concretizised meaning
of today's Christian sects. A
destructive example of this "apocalypse" (with a deeply
unconscious creation myth behind it), is the HI-Virus (HIV), the
existence of which, in its original form, has never been proved,
which means that it comes out of an "invisible, potential form
of reality that is only indirectly inferable through its
effects" (Wolfgang Pauli, physicists and Nobel Laureate) [For
the lack of proof of the HIV see the comments of the Nobel Laureate
Kary Mullis, http://www.virusmyth.net/aids/index/kmullis.htm].
This new creation is destructive
because we do not approach the psychophysical world (behind the
split in spirit and matter) by means of the Eros consciousness, but
think that we can destroy it with aggressive Logos (which means with
natural science, limited to left brain empiricism). See Hat AIDS
einen Sinn? Behandlungsmöglichkeiten der HIV-Infektion auf der
Grundlage tiefenpsychologischer Imaginationsmethoden (English:
What Does AIDS Mean? HIV Treatment Possibilities on the Basis of
Imaginal Methods in Depth Psychology).
See also remark, below: HIV as an
expression of the transformation of yin energy into yang energy ]
But let us return to Paracelsus. In
contrast to many of his alchemist colleagues, he took the path of
differentiating the unknowable unity into a trinity by subjecting his
prima materia, the Melusinian Ares-Mars, to a process of
transformation.
According to Paracelsus, in a first
step in this process this dual-sexed monster (which, viewed
psychologically, corresponds to a mixture of aggression and
sexuality) must be split into its components, that is into the
Iliaster and the Aquaster, into Ares-Mars and Venus-Melusine, or, as
he also calls them, into Sulphur and Sal. With the help of this
procedure applied to his Melusinian Ares, Paracelsus separates the
One and Unknowable into a pair of opposites: the One and the Other.
In this manner the lower divine principle, the prima materia, is
divided into a duality11. In modern parlance this means
that the principle of aggression is separated from
sexuality.
In order to effect this separation, however, Paracelsus needed a third
principle. Sometimes he called
this Hephaistos-Vulcanus, other times Mercurius-Hermes. He assigns
this Vulcanus to the human stomach12. At the biological level, the Hephaistos-Vulcanus principle obviously appears to
correspond to the hunger drive. (See fig. 4.3)

With this step Paracelsus succeeded
in differentiating the original unity of the prima materia into a trinity. Since this trinity of drives opposes the spiritual trinity
of the Christian God, I will call this the Antitrinity in the
remainder of my discussion. Moreover, as mentioned above, Paracelsus
employs a confusing multitude of names for this Antitrinity. In
addition to Ares-Mars, Mercurius-Hermes, and Aphrodite-Venus we also
find, as the most common, Sulphur, Mercurius, and Sal. (See fig.
4.4)

While the first Antitrinity has to
do with a divine Trinity in the realm of human drives, the second
appears to represent an intuition of a divine animation of all
nature, i.e., an anima mundi (a world soul). Since as an alchemist
Paracelsus thought in the categories of the microcosm and macrocosm
which mirror each other, as a physician he also refers the second
Antitrinity to the human body and says, for example, "Every body
consists of three substances. Those are Sulphur, Quicksilver, and
Sal."13 As is evident from his written works, he means the
so-called astral body and postulates an ultimate identity between the
macrocosmic world soul and the microcosmic subtle body. In Chapter 5
we will see that both the Hindu as well as the Buddhist Tantra
arrived at similar conclusions so that the Paracelsian and the
Tantric experience can be equated without
difficulty.14
Without understanding this
consciously, Paracelsus sparked a revolution when he differentiated
the lower God image into a trinity, a revolution that will have to be
carried forward by people of the third Christian millennium. As I
demonstrated in Chapter 2, the number three and hence also every
triad or trinity is an energy-symbol. Moreover, as I pointed out
there, every triad has the tendency to develop further into an
ambivalent duality for pre-conscious, archetypal reasons. We can
infer from this modern interpretation of the trinity idea that the
concept of energy must also correspond to an ambivalent duality.
Hence physical-chemical energy can not be the sole possible form of
energy, but must have a complement for the same pre-conscious,
archetypal reasons (as a consequence of the ambivalent duality of the
Third).
Modern materialistic science,
however, has lost sight of this complementary aspect of the energy
concept and, referring to the events taking place in matter,
ultimately repeated the one-sided and incomplete definition of the
God image of the Church Fathers. But since Paul Dirac this
complementary aspect has nevertheless again entered occidental
science through the back door and confounded physicists with
so-called "negative energy" and its strange properties (see below).
On the basis of his primal
experience of falling into the collective unconscious during the
years 1914 to 1918, at the beginning of the last century of the 20th
millennium, C.G. Jung gradually came to see that the objective
psychic energy he had postulated was itself the complementary aspect
of physical energy. Unfortunately the empirically observable fact
that this objective psychic energy (Jung's "reality of the soul")
corresponds to an independent principle has not yet been generally
accepted, and even in circles of contemporary Jungian analysts it is
treated as a "nothing but." Only very slowly does it begin to dawn on
a very few that this new form of energy, viewed macrocosmically, is
the same as the medieval concept of the divine, feminine World Soul
that permeates the entire universe.
{Remark of August, 2003: Today, I
differentiate between two forms of objective psychic energy, the
yang and the yin aspect of it. [See Die
mystische Hochzeit (coniunctio)...(in German)] Further,
both can be observed in the outer material and in the inner
psychic world. Jung's collective unconscious and its center, the
so-called Self, is the inner yang aspect of this complementary
form of energy, and thus the inner aspect of physical energy
(which is itself outer yang). The yin aspect is behind the
energetics of parapsychology, especially of psychokinetics. For
yin it is impossible to state the difference between inside and
outside, therefore the alchemists assumed a (nonlocal) parallelity
of microcosm and macrocosm.
The union of these two energies
is described by the Hermetic alchemical opus (see The
Return of the World Soul,
chapter 4) with its two main processes of the coniunctio,
the (sexual) union of these two principles, in which a so-called exchange
of attributes takes place: yang transforms into yin, and parallel
to this yin transforms into yang. As this terminology shows, this
process is not yet described - and not describable - in terms of
modern natural science. In my opinion, the main reason for this
deficiency is the fact, that physics postulates the energy
conservation law that forbides this transformation. For this
reason Wolfgang Pauli "invented" the antineutrino, a
"ghost particle" that does almost not interact with
matter and disturbs today's physicists very much (See also The
Connection between Radioactivity and Synchronicity in the Pauli/Jung
Letters).
The antineutrino is created
during the radioactive decay. If the hypothesises of its
(inner-outer!) yin nature and the archetypal ideas of the hermetic
alchemists are right, the enormous increase of radioactivity by
the modern artificial fission of the atom should have incalculable
consequences for the world and for the universe. In a parallel
process this yin will transform into both, a new outer yang and a
new inner yang, which means that out of "nothing" -
i.e., a real world that is however unobservable with the tools of
the physical experiment - new physical energy is created. To my
mind, the UFO phenomenon is the unexpected result of this
archetypal development, observed in the outer world, the appearance of the HIV (and further
retroviruses in the future) out of the "nothing" the
inner aspect. The inner-outer aspect of this phenomenon is
presented to us in the UFO abduction syndrome.}
Likewise our medicine, grounded in
the natural sciences, has fallen an unconscious victim to the same
imitation of the Church Fathers' incomplete definition of the image
of God. Paracelsus would turn over in his grave if he knew how his
concept of Sulphur, Mercurius, and Sal - in modern parlance, the
energetic principle - has been reduced to a materialistic point of view [yang]. For the same reasons mentioned above, there must exist a
second, ambivalent aspect of energy in the microcosm [yin], that is, in the
human body. This microcosmic subtle body aspect [yin] corresponds to the
World Soul [, the yin aspect] of the macrocosm, mentioned above, and there is good
probability that both are acausally and nonlocally
linked.
******
Why is it precisely
Hephaistos-Vulcanus that Paracelsus introduces as a third principle?
In order to understand the facts of the situation we must shift our
focus to the early history of humankind, to the period of transition
from hunter-gatherer to agricultural cultures. Roaming and migrating
was an essential aspect of hunter-gatherer cultures. In those
prehistoric times people still sustained themselves very much as did
other animals by venturing out on expeditions to steal and plunder
edible meat and roots. These peoples' psychic energy, therefore, was
almost completely invested in the nomadic-exploratory drive. This, in
turn, was very closely connected to the hunger drive, for ultimately
it was hunger that drove these proto-humans to roam and to hunt. The
nomad and hunter Wotan, who appeared in the visions of Niklaus von
Flüe (and whom we will discuss in the next chapter), is a
fitting symbol for the psychic condition of these peoples.
The study of prehistoric
humanity15 assumes today that between 15,000 and 10,000
B.C.E. human beings first developed the hand axe and later the lance
point and knife-like tools from the flint that had long been used for
making fire. Flint was admirably suited for these sorts of tools
since, due to its crystalline structure, it can fracture in any
direction, leaving a sharp edge where it breaks. This property aided
early humankind in inventing the lance and the knife. Since from then
on flint was utilized both for producing fire and for making lances,
fire and spear formed a natural symbolic unity for archaic humans.
The spear of the Celtic god Lug, therefore, corresponds to
lightning16
Around 13,000 B.C.E. primeval
humankind's consciousness made another quantum leap. In the eastern
Mediterranean basin, which is the ancient homeland of the three great
religions Judaism, Christianity, and Islam, the Urmensch discovered
that wild grains were edible. Having invented lance- and knifelike
tools of flint, primal humankind was then able to harvest this new
source of food efficiently. It was only a small step from there to
the idea of cultivating these grains. Thus human beings in the
eastern Mediterranean basin slowly developed agriculture and a
settled way of life. The domestication of certain wild animals
followed this process, and by about 6,000 B.C.E. agrarian cultures
can be identified in many places. Primordial humankind became settled
and tied to the locality. (We will again encounter this
extraordinarily important process when we discuss Niklaus von
Flüe in the next chapter.)
We have seen that in the hunter and
gather cultures the greater part of people's psychic energy was bound
up in the nomadic-exploratory drive. With the development of a more
settled way of life, nature assumed a part of the effort for
nourishing and sating human hunger, for, as we know, grain grows on
its own17. The libido invested in the nomadic-exploratory
drive would be freed up in part since it would no longer be needed
there. In this transition to an agrarian way of life, the psychic
energy released could then flow into the exploration drive. This is
why this transition signals the beginning of many fundamental
discoveries and inventions. The human being starts to develop into a
creature of culture.
In Greek and Roman mythology this
development is symbolized by the smith, Hephaistos or
Vulcan18. Like the Germanic god, Wieland, these gods are
distinguished by being wounded in the foot or leg. This handicap
abruptly put a stop to their nomadic-exploratory drive. Instead of
indulging their inclination to hunt, they were condemned to sit at
home "with the mothers" and mope about. But that must have gotten too
boring in short order. The energy abruptly displaced from the
nomadic-exploratory drive cathected a new drive: the drive to explore
and to invent. Hence in many cultures the person with the wounded
foot or leg symbolized the creative inventor. What seems essential in
this displacement of energy from the nomadic-exploratory drive,
therefore, is the impediment to motility. But viewed in the larger
context of an entire culture, this impediment signifies nothing other
than the decision to establish settlements and become attached to a
locality.
When Paracelsus relates
Hephaistos-Vulcanus to the stomach, he describes this transfer of
psychic energy from the hunger and nomadic-exploratory drives to the
exploratory drive, perhaps unbeknownst to himself. Simultaneously he
has expanded the duality of aggression and sexuality -- the
melusinian Ares-Mars -- into an Antitrinity of aggression,
exploration, and sexuality, and thus in a certain sense separated
aggression from sexuality. Of course he succeeded in this only
because this Antitrinity corresponds to a pre-conscous, archetypal
structure in the human soul. But in this way Paracelsus also
simultaneously differentiated the chthonic principle in humankind
that the Church Fathers condemned and thereby created the
precondition for conscious recognition. Of course the differentiation
into three is, as we saw in Chapter 2, the prerequisite for
consciously recognizing the original Unity.
At the same time, however, a
conflict arose in Paracelsus between the Christian Trinity and this
heathen Trinity of drives (cf. Fig. 4.5) about which he was obviously
conscious to a certain degree, for he writes: "I must also confess
that I wrote as a heathen, but am a good Christian."19 In
contrast to this, there reigns in contemporary humankind a complete
unawareness of this conflict in the Christian soul, although its
effects become ever more clearly manifest.
Hephaistos-Vulcanus serves the
separation of Ares-Mars and Aphrodite-Venus, if we are to believe
Paracelsus. This Paracelsian intuition is confirmed in a motif from
Greek mythology. Hephaistos-Vulcanus is the spouse of the beautiful
Aphrodite-Venus. She cuckolds him with the god of war, Ares-Mars.
Therefore Hephaistos-Vulcanus invents an invisible net that he casts
over them and secures with a lock when he finds the lovers taking
their pleasure in bed.
In this image Greek mythology
expressed one of the deepest human realizations in symbolic form, and
also shows how modern such myths are when we can translate them into
a psychological language. Obviously Hephaistos is cuckolded by his
spouse, Aphrodite. Viewed psychologically this means that the
principle of exploration is neglected in favor of the principle of
aggression. But it was precisely this neglect that the Church
Fatherscommitted. When they drove the Gnostics from the Church, they
also threw out the drive for individual exploration. Among the
Gnostics, individual exploration was introverted and directed toward
the revelation of an individual deity, for through introverted
exploration they attempted to experience and to recognize God. The
Church Fathers, on the contrary, taught that Jesus Christ was the
first and only one who had experienced such a revelation. With this
pronouncement they likewise suppressed the introverted drive to
exploration that modern biology more and more accepts as one of the
primal drives in the human being. Hephaistos-Vulcanus was obviously
neglected. According to the Greek mythologem, he gets his revenge by
fettering aggression and sexuality together. But the mixture of these
two drives appears to be one of the greatest problems for
Christianity, a problem that, in our times, is tending toward a level
previously believed hardly possible. In this context I remind the
reader of the explosive proliferation of hard porno films and
sado-masochstic sex, as well as the fact that the statistics on rape
have increased very significantly in recent times.
With his invisible net,
Hephaistos-Vulcanus chained Aphrodite-Venus and Ares-Mars together.
But he is also the only one who can again separate these two. He
alone holds the key that separates Paracelsus's melusinian Ares-Mars.
Viewed psychologically, this mythological statement means that only
exploration can undo the mingling of the sexual and the aggressive
drives.
In its archaic form, we find the
prototype of this phenomenon in the myth of the American Indian
trickster which Paul Radin20 published for the first time.
This Indian simpleton continually flip flops between aggression and
sexuality, and he, too, gets them mixed up until he perfects a
technical invention, the redirection of a water fall, which resolves
the problem for the time being. The extraverted exploration drive has
prevailed in Trickster, and the psychic energy flows from sexuality
and aggression into the eploration.
Today we are still caught in this
archaic stage of the redirection of libido. We of the Western World,
who are so extraordinarily proud of our intellectual development,
should be the first to recognize that our extraverted mania for
innovation corresponds to an extremely archaic principle.
Exploration, which we live out in extraversion, and the technology
that arises from this, are just as much expressions of a drive and
hence as compulsive as aggression and sexuality. Hence occidental
humankind, so very innovative, continually runs the risk of capsizing
into these two drives or into a mixture of them, and falling victim
to sadistic or masochistic sexuality.
4.2
Exploration and Meditation: Liberating the God-Man from the
Realm of the Drives
Again we are indebted to Paracelsus
for the first premonition of a solution to the trickster problem,
i.e., the unconscious and uncontrollable transfer of psychic energy
from one drive in the Triad to another. In his Vita Longa, the father
of modern medicine suggests an imaginatio21 which is
supposed to operate in an introverted manner "beyond all physical and
manual work." In modern psychological terminology that means that the
separation of aggression and sexuality can be achieved only through
an introversion of psychic energy in the exploratory drive whereby
simultaneously the archetypal principle of meditation is developed --
i.e., the introverted exploration of one's own drive economy. Thus
the spiritual principle of imaginatio or meditation develops out of
the Antitrinity of aggression, exploration, and sexuality. Later we
shall see that C.G. Jung, at the end of the Christian aeon, took up
Paracelsus' idea and, using it as a foundation, developed his
introverted method of active imagination22.
The first step in liberating the
God-Man from the realm of the drives, which, at the same time,
corresponds to the beginning of the formation of a renewed upper God
image is sketched in figure 4.6 and 4.7. For the time being we will
consider this process with the help of the mythologizing concepts
expressed in Paracelsus' terminology. Additionally, for the sake of simplicity, I will summarize the two lower Trinities of
Ares-Mars, Hephaistos-Vulcanus, and Venus Melusine, and Sulphur, Mercurius, Sal
(See figure 4.6).
If we replace Paracelsus'
mythologizing concepts with those of depth psychology, we have this
schema (see figure 4.7).
This schema implies that, by
introverting the exploratory drive, the Antitrinity of aggression,
exploration, and sexuality gets bound to the spiritual principle of
meditation.
This also establishes the
connection between the Paracelsian procedure and the process of
transformation of the God image discussed in Chapter 3. There I
showed that the third element in the spirit archetype represents an
ambivalent duality. Since the Church Fathers were not able to
acknowledge these pre-conscious facts, the dark aspect of this
ambivalent spirit was split off. This process corresponds to the
Gnostics' fall of the heavenly God-Man, the Anthropos, into matter,
and to the Alchemists' Rex or Regina entrapped in matter who must be
set free from this entrapment. In his opus, Paracelsus describes this
re-ascent of the God-Man. As we saw in our discussion of the tikkun
of Luria's kabbala in Chapter 1, human cooperation is of decisive
significance.
Expressed in the modern terminology
of depth psychology, this redemption of God from out of matter
obviously begins with this: the third principle, exploration, is
turned inward, introverted, and thereby transformed into meditation.
Since this third principle represents an ambivalent duality due to
its pre-conscious, archetypal nature, it is very well suited to be
the carrier of the transformation process. Consequently the
ambivalent Mercurius -- i.e., the duality of extraverted exploration
and introverted meditation -- forms the bridge between the lower
Antitrinity and a new Trinity yet to be formed. The alchemists must
have had a premonition of these facts since they described the
quintessence in which the ambivalent Mercurius forms the center (see
figure 3.3) as the highest of all attainable goals23. This
quintessence is also represented by the symbol of the
lily24, thus linking the process Paracelsus describes with
that of the mystic Niklaus von Flüe, whom we will discuss in
Chapter 5.
In order to proceed with our
investigation, we must now examine the alchemical concept of
meditation more closely. Meditation has become a popular word. Above
all in America many scientists, particularly physicists, feel the
need to compensate the intellectual one-sidedness demanded of them by
their profession with meditative experiences. However, such
meditative practices are usually borrowed from the Eastern mystical
tradition although the occidental and Christian world has also
developed these techniques.
In alchemy, the concepts meditatio
and imaginatio have a very specific content that diverges to a
significant extent from those meditation techniques taken over from
other cultures. Since this specific variety of meditation arose on
Christian soil, it may well be far more suited to the occidental
person than the oriental meditation that has become so fashionable
today. Hence we must look more closely at the precise content of
alchemical meditation.
In his book, Psychology and
Alchemy, Jung dealt in detail with the content of alchemical
meditation in the section entitled "Meditation and
Imagination"25. There, the concept of meditation is used
to refer to a dialogue with an inner voice which, depending on the
alchemist we consult, is equated with God, a good angel, or an aspect
of the meditator. By dialogue the alchemists do not mean, for
example, the ego's reflecting on itself -- hence no narcissistic
staring at one's navel and mirroring of the ego -- but rather a
living coming-to-terms with the "wholly Other" in the human being. It
is of decisive significance that in the alchemical opus it is not the
ego or human consciousness that possesses this ability26.
On the contrary, this unique ability corresponds to a property of the
"soul." But what then is this "soul"? In the anonymous treatise De
Sulphure (i.e., a treatise on the properties of sulfur which, at that
time, corresponded to Ares-Mars and to Fire) it is said that this
soul takes God's place. Expressed in other words, this means that in
meditation the alchemist relates to an inner God image which is made
available to him on the basis of his imaginative capacities of which
consciousness up until then had not had the faintest
suspicion27. Moreover, the capacity for a divine essence
to reveal itself is innate in every single human being, an extremely
heretical idea, as already mentioned.
In order to pursue our
explorations, we must next ask where in the body of the empirical
human being might the soul, furnished with this capacity for divine
revelation, be situated? The author of De Sulphure localizes it as a
living spirit in the human blood. From within the blood this soul
rules both reason and the body. But as if that were not enough, this
soul, dwelling in the human blood, also rules outside the body, and
according to Paracelsus is responsible for such parapsychological
phenomena as telepathy and precognition. Hence this divine soul,
localized in the human body, appears to underlie the principle of
synchronicity, too, which, according to C.G. Jung, is necessary to
account for parapsychological phenomena.
The alchemists also call this
divine principle of revelation active in the human being the anima
corporalis28, the "body soul," that mediates between
consciousness and the physiological bodily functions. As I pointed
out in Hat AIDS einen Sinn?, this corresponds to Vulcanus-Hephaistos,
which he also calls Archaeus. This Archaeus represents a
transformative principle, which, according to the alchemical
physician, is localized in the region of the solar plexus.
In Tantrism, which C.G. Jung
accepted as the only Eastern form of meditation because it did not
leap over the shadow and the drives, the body soul corresponds to the
three chakras situated below the diaphragm: muladhara, svadhisthana,
and manipura. But these three are understood as the seat of the
drives, and there is a high probability for the inference that the
exploratory, the sexual, and the aggressive drives are projected into
these three chakras29. The alchemist's soul, possessing a
capacity for imaginative revelation, and which takes the place of the
Christian God, obviously sits in the drive triad of aggression,
exploration, and sexuality. A tough nut for a pious
Christian!
Hence we can conclude that, via
having-it-out and coming-to-terms with the spirit, or with the soul
of this drive triad, the alchemist's striving was obviously directed
toward freeing new knowledge from the collective unconscious and
annexing it to consciousness which, in turn, would expand
consciousness. The psychic structure of the lower God image that
Paracelsus intuited therefore provides the precondition for the
transfer of energy into the realms both of consciousness and of the
upper part of the renewed God image.
I hold this form of meditation
which C.G. Jung rediscovered in his active imagination to be one of
the avenues most promising of success in escaping the dilemma of the
end of the Christian era. In the not too distant future, we humans
will be forced to relinquish our extraverted mobility mania in the
face of the approaching environmental catastrophe if we are not to be
eradicated in toto. Then we mobility maniacs will have far fewer
possibilities to live out our compulsiveness in an extraverted,
unconscious way. Should this vision of the future come to pass, each
of us will have to come to terms with his or her compulsivity through
introversion. If we do not do this, we will most probably sink into a
deep depression. Increasing unemployment likewise tends in the same
direction. It might have the meaning that we will be forced to leave
our compulsive work mania and introvertedly redirect our psychic
energy with the help of active imagination, "beyond physical and
manual labor," as Paracelsus expressed it. In this conscious decision
to break our identification with the trickster archetype, and to find
our way into a new era of mysticism with the aid of C.G. Jung's
active imagination, we have, in my opinion, the only way out of the
meaninglessness and hopelessness of these Christian Last
Days.
But let us return to Paracelsus. As
we have seen, an Antitrinity of drives took shape in his unconscious.
The third principle of this Antitrinity, Vulcanus-Hephaistos, appears
as Archaeus in the region of the stomach. Hence it appears to have
something to do with the hunger drive.
As we have seen above, a close
connection exists between hunger and exploration: As a consequence of
the quantum leap from a hunter-gatherer to an agrarian culture, a
great part of the energy bound up in the hunger drive was set free
and hence could flow into the exploratory drive. Humankind's first
great inventions therefore were made at the time of this cultural
leap. As I discussed in Chapter 1, an additional quantum leap was
constellated at the beginning of the Christian era: The Christian
Gnostics attempted to introvert psychic energy in the exploratory
drive in order to gain individual revelations of the God image. When
the Church Fathers cast the Gnostics out of the Church, they
simultaneously suppressed introverted exploration: imagination about
the image of God. From then on it was forbidden to make personal
statements about the God image on the basis of an individual,
introverted position.
The dogmatic stance of the Church
Fathers effected a repression of introverted exploration from
Christian consciousness. Although this repression was maintained for
a few centuries with the aide of the Church's instruments of power,
nevertheless exploration suddenly reappeared in its extraverted,
compulsive form: first in the Crusades and then a second time shortly
before the birth of Paracelsus in Christopher Columbus's voyages of
discovery. In a veritable orgy of compulsive exploration, Christendom
roused itself to discover the world and to destroy the archaic
cultures. The drive to explore, repressed from introversion, asserted
itself in extraverted form with the corresponding destructive
consequences.
A similar process also took place
in Paracelsus. We know from his biography that he traveled throughout
all of Europe in restless compulsion. Hence he, too, lived out
exploration extravertedly, and for the very reason that he was
unconscious of its introverted expression thanks to the Church
Fathers. Yet in him the drive to explore turned inward again and
again, an introversion in which he then developed his genial,
creative ideas and wrote his many books. One of the central ideas of
his opus lay in his description of the process of introverting the
drive to explore. But he probably was never fully conscious that this
introversion was a task which he should have actualized with all his
strength. By contrast, his compatriot, Niklaus von Flüe, whom we
will discuss in the next chapter, appears to have succeeded at this
total introversion of the exploratory drive.
According to C.G. Jung, the
repression of a constellated archetype usually leads -- through the
process of entantiodromia, the reversal into the opposite -- to a
subsequent identification of consciousness with the archetype. And in
fact, this enantiodromia can be proven to have occurred in modern
science: the consciousness of the representatives of science has
become identified with the extraverted form of the exploration drive.
Thus on the one hand it is not in a position to take the step into
introversion, and on the other hand no differentiation of the drives
into an Antitrinity takes place. For this reason, science after
Paracelsus regresses to a level lower than the first step of his
opus, i.e. into a mixture of sexuality and aggression, of procreation
and destruction. Greetings from the physicists' "cosmic dance of
matter," but also from Freud's Eros and Thanatos!
Since no process of becoming
conscious of the identification with the extraverted exploration
drive has taken place in science, it has asserted itself with the
consistency of preconscious-archetypal process in a most unexpected
place: as we will see in chapter 6, the knowledge gained about
elementary particle and quantum physics rests on this very same
principle of aggressive generation of new elementary particles, the
melusinian Ares-Mars of Paracelsus! Thus we get one more indication
that physics at the end of the Christian eon has returned,
unconsciously, to the beginning of the archetypal process of the
transformation of God. Obviously God has fallen into matter, and it
is precisely from matter that He must be redeemed.
4.3
The Transformation of Aggression
Paracelsus therefore describes the
first step of his procedure of renewal of the God image as an
introversion of exploration through which the principle of meditation
is developed. He symbolizes introversion in these words: The anima
iliastri -- that is, the soul of Sulfur and Iliaster, psychologically
the psychic energy in the conglomeration of aggression and
exploration -- must be brought back into the heart
region30 after it has escaped. Here, of course, he is
describing his own experiences of outbreaks of rage and what they
wrought. The logical consequence consists, for him, in the
introverted transformation of aggression. In this way the soul, up
until now incapable of enduring suffering, becomes able to suffer. So
that the soul can be held in the heart region, it must not lack for
"air."
[In Chapter 5 I will show that the
heart is a symbol of introversion as such, and that this "air"
corresponds to the fleeting thoughts and feelings, usually of a
negative kind, that hide behind the drives and compulsivity.]
The Tantricists aptly symbolize
these subliminal thoughts and feelings as gazelles that belong to
Anahata, the fourth tantric chakra, situated in the heart region (see
figure 5.5). In order to seize such negative thoughts and feelings
that appear and disappear as fast as lightning, one must actually be
in a state of deep introversion. (Later, in Chapter 5, we will
intensively study the introversion of exploration and the introverted
preoccupation with the manifestations to the drive triad under the
symbolic image of "the lance piercing the heart." Here we need only
mention in passing that, in this way, Paracelsus's imaginatio is
related to the visions of the Christian mystic Niklaus von Flüe
as well as to Tantrism and Sufism.)
With the inclusion of the
Iliaster/Sulfur/Ares-Mars, i.e., of aggression, we are already at the
second step of Paracelsus's procedure. This consists in purifying the
fiery principle following its separation from the watery
Venus-Melusine principle. This purification, too, takes place with
the help of introverted meditation. Since Paracelsus is to a large
extent unconscious of the third fundamental drive, i.e., the
exploratory drive, it is mingled with aggression again and again. But
this mixture is no individual problem restricted to Paracelsus;
rather, it is a fundamental problem of Christianity in general since
(introverted) exploration (as we discussed in Chapter 1) was
forbidden by the Church Fathers. Expressed alchemically, this
signifies a mingling of Mercurius and Sulfur, which in fact are often
confusingly similar.
Sulfur, therefore, the principle of
exploratory aggression, finds expression unconsciously as an extreme
compulsiveness, as Jung discussed in detail31. In the
first step of the introversion of the exploratory drive and its
transformation into the spiritual principle of alchemical meditation,
however, aggression and exploration are separated. This separation
takes place because, in meditation, exploration is introverted and
spiritualized. With the aide of introverted meditation in the
alchemical sense, now, Ares-Mars -- the Ilaster or Sulfur -- can be
transformed. Again, the refining of Ares-Mars/Sulfur/Iliaster appears
to consist in freeing this fiery principle from matter or from the
drives of the human body and raising it to a spiritual level. Hence
we must ask which spiritual-archetypal principle Sulfur is supposed
to be transformed into.
Paracelsus was not yet able to
grasp the psychological significance of the new spiritual principle.
Therefore he circumambulates the product of the refining process in
mythological terminology, and calls it the essence of purified
fire32 which he also equates with what he calls the
"sideral balsam"33. In the alchemist's fantasy world, this
balsam constitutes the active principle of Egyptian mummification and
is conducive to "eternal life"34 (see figure
4.8)
When we compare this balsam with
the original fire of Iliaster and of Ares-Mars, it is striking that
it is obtained from the dead body: from a mummy, the remains of which
were actually used as medicines in the Middle Ages. Regarded
psychologically, this means, on the one hand, an introversion of
aggression in that one renounces acting it out unconsciously; but on
the other hand, it also signifies a quieting of the body. Here
Paracelsus gives us an important hint concerning the now-popular body
therapy: Only through "mummification," that is, by consciously
quieting the body that is excited by drives can we transform the
compulsiveness of the drives into a spiritual principle.
Granted, very few modern body
therapists cleave to this basic rule of every occidental and oriental
method of meditation. Concretized physical movement therefore
replaces the movement of feeling. Instead of supporting the analysis
and integration of the shadow with the help of introverted movement,
the representatives of these sorts of therapy demand unconscious
acting out. As already happened in the Christian Inquisition, the
victims of these so-called therapies, which are nothing other than a
shameless acting out of the power shadow, are again the weak, in this
case the clients of self-appointed gurus.
In order to understand the
principle of transformed and purified Sulfur -- the essence or the
balsam -- we must consider the etymological derivation of the German
word Wut (rage, fury = aggression!). Wut goes back to the Sanskrit
stem vat, which means "understand," "comprehend,"
"recognize."35 In the sense of wuot = frenzy, rage, it
also gave the Germanic god Wotan (Wuotan) his name36. (I
will return to this central Germanic archetype in Chapter
5.)
Another etymology associates Wut
with the Latin vates, meaning poet, seer, prophet37. This
reveals the sense of the transformation Paracelsus was striving for:
The frenzy, rage (insanity!) of collective aggression is obviously
supposed to be changed into knowledge, but that means into the
principle of the creative logos. C.G. Jung therefore believed that
"Ares, accordingly, is an intuitive concept for a preconscious,
creative, and formative principle which is capable of giving life to
individual creatures."38
Paracelsus's extraordinarily
creative nature suggests that the procedure he suggested led to the
development of the creative logos out of his own conglomeration of
the aggressive and the exploratory drives. Since this principle was
based on an eminently introverted procedure in him, the result was
not new external discoveries, but rather certain insights concerning
the inner, psychic structure of the human being. And with this the
alchemical physician succeeded in nothing less than transforming the
absolute and preconscious knowledge of the collective unconscious
into conscious insight which, for him, be it noted, was still veiled
in mythological terminology. This transformation, therefore, also
corresponds to the process by which the creative logos is built
up.
Every creative person knows the
unique condition at the beginning of a creative phase in which frenzy
(feeling driven!) wants to transform into the word. One feels
"charged up," aggressive, driven, euphoric, chaotic, inspired. New
ideas roar like lightning bolts through one's head or, often, also
through one's entire body. They tumble out with incredible speed, and
one is no longer able to put them in a semblance of logical order
with the help of discursive thought. Therefore one simply has to
vomit them out lest one risks nausea or diarrhea. A Dionysian
experience!
This is likewise the mythologem of
procreation and of the dual-birth of Dionysus, the son of Semele and
Zeus, which, in an archaic language, describes the process of the
transformation of the creative logos39. As a steer, a
lion, and a leopard, the Father of the Gods impregnates Semele.
Dionysus, thus procreated, dances in his mother's womb, which also
rouses her to frenzied dance. Jealous Hera persuades Semele to ask
Zeus to come to her in his primal form. The Father of the Gods
overwhelms her as a lightning storm. Semele is incinerated in mad
excitement. Dionysus, unharmed, dances in his mother's womb. Mercury
(!) frees him and, until he is to be born, sews him up in Zeus's
thigh. In this way Dionysus is twice-born: once from Nature and once
from the Spirit, born of mother and born of father.
Aggression -- or, better, the
mixture of aggression and sexuality, Paracelsus's Melusinian Ares --
is emphasized twice in this mythologem: Zeus visits Semele as a
steer, lion, or leopard, and as lightning. In introversion (Dionysus
in the uterus!) this aggression transforms into a wild dance, the
first refinement of the compulsion of the aggressive drive. Then in
Zeus's thigh the transformation of the Dionysian into the spiritual
principle of the logos takes place. The thigh, then, is the locus of
(spiritual) procreation40.
As we will seen in Chapter 6, the
motifs of lightning and dance cast a bridge from the Dionysus myth to
elementary particle and quantum physics. There, too, it is
"lightning," i.e., rays of energy, that beget new elementary
particles via the "aggression" of collision, and lead to the "cosmic
dance of matter" (Kenneth Ford). Thus we may already infer that
physics is rediscovering this second step of the Paracelsian opus,
the process of transforming aggression into logos.
Now we are able to translate this
second step of Paracelus's opus into a psychological language. It
clearly appears to consist in creating a new spiritual principle, the
logos principle, out of the conglomerate of aggression and
exploration (and sexuality). We can now enlarge our schema (as in
figure 4.9).
In essence, this schema says that
through introverted meditation on aggression and exploration, the
logos principle is formed on the higher, spiritual level. Of course,
the principle of meditation can be further and further developed in
this way, since repetition of the method leads to improvement.
Through meditation on aggression and exploration, an additional
principle in the renewed image of God develops out of the realm of
the drives in which human consciousness plays an essential role. Of
course here we are again reminded of the striving of the ancient
Egyptians, the Gnostics, and the Kabbala of Luria in which, thanks to
human effort, a renewed principle of divine spirit is supposed to be
built up. In the language of modern depth psychology we designate
this process as active imagination applied to the contents of
aggressive and exploratory drive energies.
4.4
The Transformation of Sexuality
The third upper, and hence
spiritually archetypal, principle is designated with a question mark
for the time being. Here I must note that Paracelsus did not succeed
in establishing this principle although he describes even a fourth
step in his opus. To understand this principle, we will have to turn
to the mystic, Niklaus von Flüe, in the next chapter. Here I
will only briefly touch on these two additional steps in Paracelsus's
thinking.
In the third step of Paracelsus's
opus, the goal striven for is the purification and refinement of
Venus-Melusine. As we have already seen, this belongs to the Aquaster
principle which is imagined as feminine, watery, passive, and
extremely volatile. This step in the opus is supposed to begin in the
month of May, the month of Mary, Mother of God, on the one hand, and
of the heathen Venus-Aphrodite on the other. From these sorts of
hints in the De Vita Longa we can infer the refining process
Paracelsus had in mind: He envisioned a transformation of sexuality
from the realm of the drives into the spiritual, archetypal world of
Eros. I understand this Eros in agreement with C.G. Jung in the sense
of the principle of feeling-relationship with one's fellows humans
(see figure 4.10).
It is clear that Paracelsus did not
achieve the transformation of compulsive, drive-based sexuality
although he attempted to return the gesta melosynes -- i.e., sexual
fantasies -- "back to the watery realm" which, understood
psychologically, corresponds to an introverted working through of
these fantasies41. Hence we must pose the question as to
the reasons for his inability.
To answer this question I must
somewhat anticipate the following discussion. The first reason for
Paracelsus's inability is to be found in the circumstance that
although he could describe the methodology of the third step
theoretically, he was not able to integrate it into his life
empirically. Since Aphrodite-Venus and Melusine have a passive
nature, the possibility of experiencing them presupposes a passive,
receptive conscious attitude. Paracelsus achieved this attitude only
rarely. This, in turn, was due to his inability to introvert his
compulsively extraverted exploratory drive by an act of
consciousness. Introversion of the exploration drive is necessary to
a much greater degree in order to approach the profoundly feminine,
archetypal Aquaster principle than for the transformation of the
Iliaster. Moreover, this third step of the opus usually leads to
great suffering, and, as we know, we men run from nothing so quickly
as from consciously experienced suffering.
From the perspective of depth
psychology, the third stage in Paracelsus's opus describes active
imagination on sexual fantasies. Before a man of our times attempts
to deal with these fantasies, he should definitely work through his
moods, affects, and emotions. These latter belong to the domain of
the personal unconscious which usually must be integrated into
consciousness before one descends into the realm of the drives and
sexuality. Not until a man has learned to suffer from the effects of
his moods on his fellows has he developed a certain minimum of Eros
which permits him to grasp the fearsome effects of collectively lived
sexuality with his feeling function. If this process of integrating
the man's negative feeling world into consciousness does not take
place, there is a great danger that he will fall prey to sexual magic
-- or some other form of black magic. It appears to me that
contemporary group therapy and body therapy practices run the danger
of regressing into this world of sexual black magic.
If we want to emphasize the
Trinitarian aspect of a triad, we can represent it geometrically as
an equilateral triangle. The ambivalence of two such triads can be
visualized as mirror images of each other. What we then get is the
Seal of Solomon (see figure 3.2), which the alchemists also used as
the symbol of the opus as well as its goal. Whereas the earlier upper
Trinity corresponded to the Christian God the Father, God the Son,
and the Holy Ghost, it is now replaced by the renewed image of God:
the Trinity of Logos, Meditation, and Eros (see figure 4.11). By
consciously forming a renewed upper image of God, the alchemists'
unconscious conflict between their Christian image of God and the
heathen realm of the drives is resolved.

4.5
The Union of Logos and Eros in the Hermaphroditic God-Man
Finally, the fourth stage of
Paracelsus's opus consists in uniting the two principles of logos and
eros (formed in the spiritual, archetypal realm through meditation)
as the Adech, that is, the "greater, inner human", the androgynous
Anthropos, or more precisely, its upper portion. In Paracelsus's
terminology, the "astral body" is formed in this way from the
ordinary, physical human body. And this astral body guarantees the
vita longa, longevity in this life and immortality in the
next.
The goal Paracelsus strives for in
his alchemical opus is clearly that of redeeming from the realm of
the drives the male-female divine human in himself. We will see in
chapter 6 that a dream and an active imagination of physicist and
Nobel laureate Wolfgang Pauli show that he, too, might have had to
struggle with this problem, and that the solution would have lain in
what I call the synchronistic life. The union of man and woman, of
inner and outer, the goal of the opus represented as the divine
hermaphrodite or androgyne, symbolizes nothing less than the
consciously lived principle of synchronicity.
Likewise we recall that prima
materia, the starting substance for the alchemical opus, is initially
represented as an hermaphrodite which, as the first step, must be
reduced to its component parts, the Iliaster and the Aquaster (i.e.,
Sulfur and Sal, or Ares-Mars and Aphrodite-Venus or Melusine). Now
obviously the spiritualized aspect of these components are to be
united, creating a new, higher male-female principle. As mentioned,
this new symbolism gets concretized in the immediate future as an
increased inclination toward bisexuality if this most profound
meaning of the alchemical opus is not understood psychologically and
consciously experienced as an individuation process.
Paracelsus's mythologizing mode of
expression again reveals that he was not yet able to understand which
process he was actually describing. Therefore since that time magical
ideas concerning the astral body haunt us, the common feature of
which consists in this: these ideas, which should have been
understood in terms of depth psychology as referring to the process
of developing a renewed upper God Image freed from the realm of the
drives, clothe themselves in incomprehensible, occult, secretive and
mystifying words. Nobody really knows what they are supposed to mean
and what concrete processes they represent. With his psychological
mode of observation, C.G. Jung was the first to offer us a means by
which we are able to carry out this process empirically in the
individual human being and, moreover, to understand it.
As I have already mentioned
briefly, on the one hand the depth psychological symbolism behind the
epistemological instruments of elementary particle and quantum
physics, and, on the other hand, their results, show that, at a
higher level of scientific insight, physics has ultimately returned
to the alchemical opus. But since this process took its course
unconsciously, and consequently quantum physics was not able
consciously to perceive the solution of the problem of the
transformation of the God image urgently demanded by the collective
unconscious, the opus was projected into what was erroneously
believed to be inanimate matter. In this way elementary particle and
high energy physicists find structures and processes in matter that
strikingly resemble the introvertedly perceived visions of the
alchemists and of Niklaus von Flüe, but also those of the
Buddhist and Hindu Tantricists and the Muslim Sufis.
The investigation of the
transformation of the image of God must, therefore, embrace the
recent developments in subatomic physics. Although projected into
matter, they describe Paracelsus's transformation process which also
undergirds depth psychology; hence study of the symbolism of the
structures, principles of conservation, and permissible processes of
quantum physics can impart essential new insights into the
introverted processes of the transformation of the image of God in
each individual human being.
Since I will discuss the depth
psychological background of elementary particle and quantum physics
in detail in Chapter 6, now I will only mention that the solution to
the problem presented here of the formation of the astral body
Paracelsus describes goes beyond the possibilities of physics. It
must be sought in a new science that unites the insights of depth
psychology with those of quantum physics. This future science will
find the key concept what physics calls "negative energy." As I
discussed elsewhere42, "negative energy" is ultimately the
snag in the new physics, since its strange transformation into
antimatter rests on a metaphysical hypothesis. In order to explain
the nature of antimatter, Paul Dirac, a co-founder of quantum theory,
had to invoke an hypothesis that, for physicists, was downright
adventurous: These particles of antimatter are supposed to arise from
a "sea" of countless, but physically unobservable electrons having a
negative energy. But this property of unobservablity situates Dirac's
postulate in the domain of metaphysics. Replacing the metaphysical
basis of the new physics with an empirical one will be the central
task of the new science mentioned above.
Level
1
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Exploration will be
acknowledged as the third fundamental drive in addition to
aggression and sexuality. Exploration, which today is
usually experienced as an extraverted drive, will be
redirected into introversion whereby meditation (active
imagination) arises as the first, higher
principle.
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Level
2
|
Occidental humankind's
aggressive compulsiveness will be introverted. By way of
meditation regarding this exploratory aggression, the second
principle of logos (knowledge) will be developed.
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Level
3
|
Exploratory sexuality will
likewise become introverted. Meditation on this -- which is
much more difficult than that at the second stage since it
presupposes a passive-receptive attitude of consciousness --
develops the third upper principle of eros (ability to
relate).
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Level
4
|
Finally, the
hermaphroditic Divine Human with his/her "astral and
immortal body" will be formed from the union of logos and
eros. As this mythologizing terminology reveals,
interpretation of this fourth level will be the province of
a yet unknown science which has joined the insights of depth
psychology with those of quantum physics.
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Overview 4.1: The four stages or levels of
Paracelsus's opus expressed in the terminology of depth
psychology
4.6
Active Imagination and the alchemical Pelican
4.6.1
The Psychological Prerequisites for Active Imagination
Based on the psychic process
described by Paracelsus, C.G. Jung developed an introverted,
dialectical method, active imagination, which we have referred to
several times43. It's foundation is Jung's theory of
complexes, that is, the empirically observable fact that the totality
of the conscious and the unconscious psyche appears rather like a
mosaic composed of many parts. These parts are, however, only loosely
fitted together and each has a dynamic of its own. In a first phase
of active imagination, the ego has it out with the complexes,
preferably in personified form, which usually are concealed behind
unpleasant, half-conscious feelings, affects, and moods. In this
manner the occidental man44 can again approach his
repressed feelings and the world of Eros. Imaginatio for C.G. Jung,
then, offers the only aide in integrating the man's feminine side,
the anima.
Active imagination demands the
presence of a certain measure of dialectic that separates the
complexes, moods, and affects from the ego. It obviously requires a
certain minimum of the Logos principle.
But a minimum of Eros is also
necessary in order to be able to dim the occidental man's separative
Logos-consciousness (which at the same time represses negative
aspects) and to relate with a certain degree of understanding in
introversion to his complexes, his shadow side, and his moods . Not
until he can diminish the intensity of his Logos-consciousness can
the contents heretofore repressed in the personal unconscious, or the
contents of the collective unconscious, reach the threshold of
consciousness and be perceived.
Since the relationship quality of
Eros makes possible the approach to aspects of the shadow while the
dialectical capacity of Logos is simultaneously maintained, a
condition is created in which a drama on the inner stage can develop
that can accelerate the process of becoming conscious. As a
consequence of its double aspects of Logos (dialectic) and Eros
(dimming of conscious and empathy), active imagination makes the
highest demands on a person and usually can be learned only over a
period of many years.
This union of Eros and Logos with
the aide of meditation (imaginatio) corresponds, as we said earlier,
to the production of the hermaphroditic Anthropos. Gerhard Dorn, a
student of Paracelsus's, goes one step farther in describing the
result in the typical mythologizing language of the
alchemists45: After the lapis -- a synonym for
Paracelsus's Adech, astral body, and the hermaphroditic Anthropos --
has been produced, "a dark red liquid, like blood, sweats out drop by
drop from [the] material . . ."46 Naturally the
similarity of this process with the Blood of Christ which was shed by
Longius's lance and which forms one of the primary contents of the
Sacred Heart mysticism immediately springs to mind. We will again
encounter this symbolism of the blood to be shed from the heart of
the Anthropos by a lance in the next chapter.
Since the alchemical lapis is
formed through human effort and, moreover, has its roots in the
domain of the drives, it can not correspond to the historical Christ.
According to Gerhard Dorn's statements, therefore, this stone that
sweats blood symbolizes the putissimus homo that Jung interprets as
the "most genuine" or "most true" human in contrast to Christ, who
represents the homo purissimus, the most pure, that is, the Anthropos
free from all sins. As Jung states, the goal Dorn has in mind -- that
is, the stone that sweats blood -- has to do with the Anthropos of
the future incarnated in the ordinary human being: "On no account is
it a question here of a future Christ and salvator microcosmi, but
rather of the alchemical servator cosmi (preserver of the cosmos),
representing the still unconscious idea of the whole and complete
man, who shall bring about what the sacrificial death of Christ has
obviously left unfinished, namely the delivering of the world from
evil."47 He clearly corresponds to the process and its
goal of a renewed image of God that has already been discussed. And
Jung also draws the conclusion that, viewed in terms of depth
psychology, this incarnated Anthropos is concerned with uniting the
principles of Eros and Logos, which comes about by working through
the compulsion of our drive nature, i.e., obviously via the
meditative principle of active imagination.
4.6.2
The Energetics of Active Imagination
Active imagination is the depth
psychological method, derived from the alchemical opus, that is
called for in order to transduce the psychic energy (the libido)
heretofore imprisoned in the sphere of the drives and the affects
onto a spiritual level. As we can see, the hypothesis in depth
psychology proceeds from an energetic concept in agreement with
modern physics. Whereas psychic energy was identical with sexuality
for Sigmund Freud, it finds expression for Alfred Adler as power and
aggression. In Jung's thought, by contrast, libido, psychic energy,
is an empirically observable force that ultimately transcends
consciousness -- we are reminded on the "negative energy" in physics
-- which can express itself both in the realm of the drives and of
the archetypes.
Consequently Jung suspected that
drive and archetype are the two sides of the same coin where the
drive is situated, so to speak, at the infrared end of the spectrum
and extends down into matter, while the archetype lies at the
opposing ultraviolet and spiritual pole48. With this, Jung
ultimately also postulates that the libido cathects not only the
triad of drives but can, by a conscious act, be transferred to the
drives's archetypal correlates. In this process of conscious libido
transformation via active imagination, we are dealing with something
essentially different from Freud's sublimation. Fundamentally,
sublimation takes place unconsciously, that is, without conscious
participation. By contrast, the goal of libido transformation
consists in attaining the ability to redirect psychic energy
consciously from the realm of the drives into the domain of the
archetypes -- or to leave it with the drives, for example, when
Spring arrives!
We always do well to take not only
people but also words "at their word." For even if we believe,
erroneously, to be sure, that we have postulated a new concept 100%
consciously, it nevertheless always contains an unconscious
component. Therefore let us scrutinize the term sublimation somewhat
more closely.
In chemistry, sublimation
designates the transition from a solid into a gaseous state without
passing through the intermediate fluid state. The rigid body
immediately dissolves into air, so to speak, and never becomes a
fluid. Once again we must take a word literally. It would never occur
to us to say, for example, that psychic energy "flies" into work;
rather, we express the fact of the redirection of libido with the
word "flows." Hence it appears that the fluid state, which is lacking
in Freud's concept of sublimation, is the most suitable for
redirecting energy.
In order to perceive the fluid
state of psychic energy or libido, the organ of perception,
consciousness, must also be spontaneous and like quicksilver. These
are the qualities of a consciousness that has integrated a certain
measure of Eros. Its flowing nature compensates the rigidity and
insistence on lawfulness of our contemporary masculine, scientific
consciousness, and thus brings the latter closer to feminine
consciousness. Taoism as well as the Greek philosopher Heraclitus
("Everything flows!") were informed by similar notions which
subatomic physics has recently rediscovered as the wave aspect of
matter. Hence we may anticipate that elementary particle and quantum
physics also projects essential contents of a renewed consciousness
into matter.
4.6.3
The Alchemical Pelican and Synchronicity
Now what could a fluid condition of
libido, as prerequisite for its transformation from the domain of the
drives to that of the archetypes, signify in terms of depth
psychology? Paracelsus saw the solution to this problem in another
symbolic image. In his De Vita Longa the pelican holds a central
position (see figure 4.12)49.

Figure 4.12: The alchemical and the Christian
pelican
The pelican was an alchemical
retort with quite specific characteristics. As a retort it served the
alchemist, first and foremost, for an ordinary procedure: Initially a
solid substance (symbolically, "earth") was placed in the retort and
mixed with water. Since chemical processes are accelerated, or only
possible with, the addition of heat, fire was placed under the
retort. "Earth," "water," and "fire" are thereby brought together and
form the alchemist's prima materia out of which "air" as the fourth
element was supposed to be extracted. (In the next chapter we shall
see that these three elements also symbolize the three lower chakras
in Tantrism, which, in the terminology of depth psychology, I will
equate with the drive triad of exploration, sexuality, and
aggression.) Only liquefaction via the agency of fire, which of
course can be observed very impressively in the example of the metals
("metal" = alchemical earth), made possible the subsequent
vaporization which was interpreted as the extraction of the Earth
Spirit.
The metal mercury, quicksilver,
occupies a special place in the alchemical process. Since at room
temperature it is liquid and already noticeably volatile, it was
especially well suited to carry the projection of the Earth Spirit
that was to be extracted. Since quicksilver was equated
astrologically with Mercurius-Hermes, the latter, too, was
assimilated to the alchemical principle from which the spirit of the
Earth could be extracted relatively easily. But regarded
psychologically, Mercurius-Hermes corresponds to the
exploration-meditation axis (cf. figure 4.7). As we have seen, the
exploration-meditation axis plays a central role in the process of
forming the renewed upper God image and hence also in active
imagination through the introverted redirection of libido. Thus the
fluid state of the libido is achieved when the principle of
introverted meditation complements the principle of extraverted
exploration; in other words the liquefaction symbolizes the
introversion of psychic energy.
This symbolism prevailed in
condensed form in the specialized retort called the pelican in the
sense that the archetype amplifies itself50. The pelican
must, of course, remain tightly closed during the entire alchemical
process. Regarded psychologically, this signifies maintaining the
most extreme introversion. Moreover, the vapor is again directed into
the liquid via the two characteristic glass tubes in the pelican (see
figure 4.12). This process corresponds to the alchemical dictum,
"Volatilize the solid and solidify the volatile"51, and it
was naturally crowned with success when the pelican remained sealed.
In this manner the so-called rotary or "circulatory
distillation"52 was introduced. According to the
alchemists's concept of it, through this process the distillate
became ever more highly concentrated and thereby become the essence
of the prima materia which, for its part, represented the goal of the
entire procedure.
In sum, we could therefore say that
the qualities of containment and circulatory distillation impart to
the alchemical pelican properties of a symbol of the deepest
introversion. This in turn means that the transfer of psychic energy
from the rigid all or nothing reaction condition53 of the
drive triad to the fluid state in which it is capable of becoming
conscious is possible only by way of a conscious act of introversion.
Not until an individual has developed the specifically human ability
consciously to differentiate oneself from identification with the
drives and to confront their expressions in the introverted procedure
of active imagination is it possible to redirect psychic energy to
the archetypal level.
However, the alchemical pelican
symbolizes yet another phenomenon that is very important in our
context. With the help of the pelican the alchemist initiates the
process of movement from below to above, the conversion of matter
into energy, that he understood as a spiritualization. Only the
sealed pelican with its two tubes leading downward effect the
parallel process of "solidifying the volatile" which one can describe
as a materialization of the spirit. Here we must emphasize that the
alchemist, living in a pre-causal world, did not understand this
event causally; rather, he experienced it as a causeless, parallel
manifestations of "spirit" and "matter." Only later did the natural
sciences impose a causal nexus on this natural process.
Active imagination is the depth
psychological translation of the alchemical idea of the pelican. In
active imagination one strives to spiritualize the drives which we
can interpret, from a physical point of view, as a conversion of
matter into energy. The parallel alchemical symbolism shows how
important introversion is in this undertaking. We have already
related this to the Paracelsian mummification which, regarded depth
psychologically, corresponds to shutting down the body excited by the
drives.
When engaged in active imagination,
external events frequently take place that can be interpreted as the
accompanying materializations of objective psychic energy. In other
words, it appears that, when employed correctly, parallel events take
place in the outer world without cause -- the physicist would say,
non-locally. These "events" belong to the synchronistic context of
active imagination. Hence the pelican also symbolizes the phenomenon
of synchronicity.
If we look symbolically, we will
see that physicists -- with their accelerator and bubble chamber in
which a continual conversion of matter into energy and subsequent
materialization of energy takes place -- have reinvented nothing
other than the alchemical pelican without knowing it! One of the most
important results discovered with the help of this "physical pelican"
is the principle of conservation of strangeness, and the well-founded
suspicion arises that, in strangeness, physicists have rediscovered
the principle of synchronicity.
Since physics still interprets the
relationship between the events in the accelerator and in the bubble
chamber (conversion of matter into energy and materialization of
energy) in a (statistically) causal way, physicists cannot, of
course, see that with the aide of these instruments they simulate the
process of the creatio continua in matter which, in the near future,
however, must be shifted to the soul of each individual.
4.6.4
The Christian Pelican and the Heart
In Chapter 5 the symbol of the
heart will occupy a central position. Here we must ask how the
alchemical pelican is related to it. In medieval Christian symbolism
the pelican was an allegory for Christ54. Equating the
heart and the pelican is based on a fable in which the pelican opens
its breast in order to awaken its deceased young to life (cf. figure
4.12). This links it with the symbolism of the lance that pierced
Christ's heart, which plays a major role in the Sacred Heart
Mysticism and in the visions of Niklaus von Flüe. In addition,
it is striking that the alchemical pelican strongly resembles an
abstraction of the heart and circulatory system which was discovered
only at the beginning of the 17th century, that is, subsequent to the
image of the pelican. Clearly the symbol of the pelican appears, on
the one hand, to be linked with that of the heart, and on the other
hand also with the lance penetrating the heart. With this, the
phenomenon of synchronicity also becomes associated with heart
symbolism.
We will see in Chapter 6 that the
principle according to which the bubble chamber functions -- and
which is one of the most important instruments by means of which
elementary particle physicists gain knowledge -- has much similarity
to the heart, regarded symbolically. The particle ray from the
accelerator, considered symbolically, will turn out to be a lightning
bolt or a lance that penetrate this very heart. As I have already
mentioned above, the events in this "bubble-chamber heart" lead to
postulating the principle of conservation of strangeness which,
viewed phenomenologically, corresponds to synchronicity. In physics,
too, the preconscious, archetypal process of perceiving synchronicity
in the heart prevailed unconsciously and therefore got projected into
matter, i.e. into the bubble chamber.
Since time immemorial the heart has
been regarded as the seat of Eros, of the felt relatedness between
people, and of love. The pelican, as locus of liquefaction and hence
of the ability of libido to transform, clearly shows us that Eros and
introversion are intensely connected: Introversion alone appears to
lead into the state of Eros, that is, into a consciously lived
ability to relate.
This conclusion, for many readers
perhaps astonishing, brings us to the content of the next chapter.
There I will show that Niklaus von Flüe, the introverted Swiss
mystic, was able to find the solution to the problem of transducing
psychic energy from the realm of the drives to the higher, archetypal
sphere of Eros only by withdrawing from the world and through
introverted meditation.
1 In the sense of the term as
defined by C.G. Jung (see also Chapter 1). Above all, the concept
must not be confused with Freud's similarly named concept.
2 Jung, C.G. Mysterium Coniunctionis.
C.W. 14
3 The quaternity of the elements
also occurs frequently. Since Earth produces nothing -- Fire
generates Sulphur, Air gives rise to Mercury, and Water to Sal --
there are nevertheless only three principles. Cf. Jung, C.G.,
Mysterium Coniunctionis, C.W. 14
4 Jung, Aion, C.W. 9, ii ;and C.W.
14
5 Jung, Paracelsus as a Spiritual
Phenomenon, C.W. 13.
6 On the problem of the androgyne,
cf. E. Zolla, The Androgyne: Fusion of the Sexes. Thames and Hudson:
London (1981).
7 On this point, cf. the cover
story in Der Spiegel, no.5, Jan 29, 1996.
8 Jung, Paracelsus as a Spiritual
Phenomenon, C.W. 13
9 Ibid.
9a
10 Roth, R., F., Hat AID einen
Sinn? Behandlungsmöglichkeiten der HIV-Infektion auf der
Grundlage tiefenpsychologischer Imaginationsmethoden.
Maur-Zurich: IKOS-Verlag (1994).
11 Cf. Jung, "The division into two
. . was necessary in order to move the "one" world [the unus
mundus] from the condition of potentiality to that of actuality.
Mysterium COniunctionis, C.W. 14
12 Schipperges, H. Paracelsus, p.
33, p. 53.
13 Aschner, B., ed., Paracelsus
Sämtliche Werke. Opus Paramirum. 1926-1932. Vol. 1, p.
67.
14 Cf. Roth, R., F., Op.
cit.
15 The following is based on
Hawkes, Jacquetta, Bildatlas der frühen Kulturen, Gutersloh
(1977), pp. 24ff.
16 Jung, Emma, and von Franz, Marie-Louise, Die
Graalslegende in psychologischer Sicht. Zürich (1960). p. 90, note. 19.
Lug is a god of light and a bringer of culture. He invented tools,
art, and science, and corresponds to Mercurius-Hermes (op. cit., p.
88, note 12).
17 In an experiment he conducted
personally, J.R. Harlan harvested a kilogram of grain with a flint
sickle in one hour. He calculated that three weeks' work sufficed to
supply an family for one year. (Cited in K. Critchlow, Time Stands Still, p. 170.)
18 Cf. Sas, St., Der Hinkende als Symbol, Zürich (1964), p. 21ff.
19 Jung, Paracelsus as a Spiritual
Phenomenon
20 Radin, P., Kerenyi, K, Jung,
C.G. Der göttliche Schelm, 1954.
21 For the following, see Jung, C.G., Paracelsus as a Spiritual
Phenomenon, C.W. 13.
22 See below, p.____.
23 Jung, C.G., Mysterium Coniunctionis, C.W. 14.
24 Ibid., par. ___.
25 Jung, C.G., Psychology and Alchemy, C.W. 12.
26 Ibid.
27 In our century, C.G. Jung
rediscovered this principle which he called "unconscious
thinking".
28 Jung, C.G., Psychology and Alchemy, C.W. 12.
29 Cf. Chapter 5.
30 Jung, C.G., Paracelsus as a
Spiritual Phenomenon, C.W. 13.
31 Jung, C.G., Mysterium Coniunctionis, C.W. 14.
32 Jung, C.G., Paracelsus as a
Spiritual Phenomenon, C.W. 13.
33 Ibid.
34 Ibid..
35 Cited in Schwarzenau, P., Das
göttliche Kind, Stuttgart (1984), p. 97f.
36
Duden-Herkunftswörterbuch.
37 Ibid.
38 Jung, C.G., Paracelsus as a
Spiritual Phenomenon, C.W. 13.
39 Cited from Nonnos, Dionysiaka,
Bremen (no date).
40 Onians, R.B., The Origins of
European Thought. Cambridge (1951)
41 Jung, C.G., Paracelsus as a
Spiritual Phenomenon.
42 Roth, R., F. Psicologia
junhgiana, la Fisica dei quanti e la Psicosomatica,
Synthesis--Scienza, psicollogia e letteratura, no. 5, 1995. Di Renzo
Editore, Roma.
43
44 It is generally true that in
active imagination a woman has to deal with half-conscious and
pseudo-logical ideas, opinions, and judgments. In so far as she is
not possessied by animus energies, the world of Eros belongs to the
woman; that is, she is conscious of her feelings in a highly
differentiated form. Many a woman must smile when she sees us men
laborously extracting these feelings. We men, on the other hand, tear
our hair at the logic that rules in a woman's active
imagination.
45 Jung, C.G.
46 Ibid.
47 Ibid.
48 Jung, C.G. On the Nature of the Psyche, C.W. 8; also Letters II.
49 Jung, C.G. Paracelsus as a
Spiritual Phenomenon, C.W. 13.
50 See section 5.1.
51 Jung, C.G., Mysterium Coniunctionis, C.W. 14.
52 Jung, C.G., Paracelsus as a
Spiritual Phenomenon, C.W. 13.
53 Jung, C.G., Instinct and the Unconscious, C.W. 8.
54 For example, see Jung,
Psychology and Alchemy, C.W. 12, illustration 89.
October 3rd, 1997
revised, August 2003
proofread by GJS
See also further
articles in
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22.12.2002
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